![]() However it also highlights the notion that the majority of his works may not have been designed for public display – that they were sketches rather than paintings for sale. The exhibition catalogue suggests that in using some pigments which were known to be fugitive that Girtin was ‘at best negligent and at worst irresponsible’. Indigo, lake, gamboge, yellow lake and brown pink are all highly fugitive when exposed to light, and their use in mixing of blue tints for the sky, greys for clouds and greens for the foliage partially explains the distorted appearance of (some of his works) However the list of pigments provided by Pyne explains in part why some of Girtin’s work has faded. Interesting to note – many of the “greats” used fugitive colours too – Girtin’s work is known for having (or not having them any more.) them. I read about the distilled water to dilute thing – the chemicals in tap water cause the shellac to fall out of suspension. I’ve just thought about expanding into the W&N colour inks, I bought the “William” and “Henry” collection – they’re fun to use. I use Higgins 44011 Magic Waterproof Pigmented Ink (what a name), Zig Cartoonist Sumi Pen Ink, and W&N India Ink. Then pigmented waterproof fountain inks like Platinum Pigmented carbon black and Sepia that I use in good EF fountain pens Then you go to Acrylic inks that are pigmented and waterproof but cannot use in fountain pens, and will ruin a watercolor brush, so use a separate brush for these inks Regular water curdles the ink, so if you add it to the bottle you loose all the ink Use distilled water to dilute out of the bottle Winsor & Newton Black Indian Ink is a superior shellac solution that can be mixed with water but is waterproof once dry which makes it perfect for drawing / pen and wash work Water based pigmented so they will not fade, but use with a fountain pen at your own risk (I do not), and they are not waterproof to do watercolor washes Shellac is glue that dries to waterproof and will ruin a fountain pen, and brushes when left to dryĪll Winsor & Newton Calligraphy Inks apart from Matt Black, Gold, Silver and White are suitable for dip pens, fountain pens, technical pens and airbrushes, come with a blue cap. Bonus Section: Best Brushes and Dip Pens for Artist Inks.Winsor & Newton drawing Inks are formulated from soluble dyes in a superior shellac solution.I recently wrote an article and buyer’s guide on the best ink pens for artists, and since then I have been thinking a bit about the beauty and expressive power of pure black and white ink drawings and paintings. #India ink vs acrylic ink fullSure, we can create amazing things with a full palette of colors and shades, but when you look at, for example, the ancient Japanese art of ink wash painting, or Suiboku-ga (水墨画), you realize that a different, and in many ways far more powerful, kind of artistic expression is available in monochrome art. ![]() So let’s do just that, with this guide for the best drawing inks for artists on the market today, I’ll try to answer some of these basic questions: Sure, you can get excellent ink pens, as I recommend in that previous article and others, and like I use every day, but there is something elegant, powerful and, well, very, very different about dipping into a bottle of pure ink. That’s the beauty of art ink, that it can be used for a thousand different things: What is the best ink for fountain pens?.What is the best value art ink available?.Is Daler Rowney ink the best available?.What is the best ink for drawing and sketching?. ![]() I like that last one – simple and spontaneous gestures, because it gets at the heart of much of Asian art – which is one of the main genres or uses we associate artist’s ink with. There is something about the simplicity of single broad strokes, open, minimalist compositions, positive and negative space, and pure black and white in not just drawing, but in painting, that moves something inside us as artists, as well as moving us – pushing us, even – to new realms.Īnd, indeed, as I often challenge my students (or myself), limiting yourself to black and white can open things up inside of you – creative ideas and understanding, vision, technique and a lot more – that may lay dormant if we are always “limiting” ourselves to ordinary, conventional full color painting. Certainly, a kind of simplicity and directness affects our eye and directs our hand, and basic understandings of form, flow and open space can be developed to much higher levels. Plus, painting with the best drawing inks is fun, meditative and direct, and can even be kind of cathartic – and the results can be so very beautiful.īut again, that’s just one part of the picture. ![]()
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